LÆFAN / Guidance / By collection / Textiles

Textiles, costume & upholstery

For textiles, light and moisture both leave a lasting mark.

Textiles are often a mixture of fibres, dyes, metal threads, adhesives, linings and old repairs. That makes stability important, but it also means one textile can behave very differently from another.

Use this as a starting point. Published examples are useful context, not automatic limits for an individual object. Condition, construction, previous environment and professional advice still matter.
Evidence reviewed6 October 2026UK sources first
TE
Collection guideTextiles

What tends to matter, what published guidance says, and how to keep the context with the monitoring record.

RH45–65%MGS textile guide example
Temperature10–20°CMGS textile guide example
Display light50 luxMGS textile guide example
Main concernCumulative lightDisplay time matters

What to monitor

Start with the variables that actually explain the risk.

For this material group, the environmental record is most useful when it captures the things below and keeps them tied to the object, space or display context.

  • Relative humidity and stability
  • Temperature, especially warm damp conditions
  • Visible light and cumulative exposure
  • UV in display areas
  • Local conditions inside cases and storage enclosures

What can go wrong

The number only matters because of the damage mechanism behind it.

01

Fading and fibre loss

Light can fade dyes and eventually weaken fibres. Damage is cumulative and cannot be reversed.

02

Moisture movement

Natural fibres take up moisture. Repeated swelling and shrinking can weaken fibres, while painted or decorated textiles can respond unevenly.

03

Mould and pests

Warm, damp conditions increase mould risk and can make already vulnerable textile collections more attractive to pests.

Published guidance

Useful examples, with the caveat kept attached.

Museums Galleries Scotland’s dedicated textile guide recommends keeping RH stable between 45% and 65% for at least 90% of the time, with temperatures between 10°C and 20°C. For display it recommends 50 lux and managing annual exposure because light damage is cumulative.

Where judgement comes in

Textile guidance varies because the collection varies. Silk, wool, painted textiles, mixed metal components, historic dyes and synthetic fabrics do not all respond in the same way. If an object is already weak, stained, painted or structurally complex, a textile conservator should set the detail.

How this maps to LÆFAN

Keep the reason for the profile with the readings.

01

Use a material or object specific profile where the textile is unusually sensitive rather than applying a gallery wide preset.

02

Track RH and temperature together so sudden environmental change is visible.

03

For displayed textiles, use a light exposure period with cumulative lux hours rather than relying only on spot lux readings.

04

Keep temporary exhibition monitoring in a Campaign so the exposure period has a clear start and end.

LÆFAN does not decide the conservation limit for you. It records the profile your institution has chosen, the source or rationale behind it, where it applies and what happened while it was in force.

Sources & further reading

Where the examples on this page came from.

Source
Museums Galleries Scotland

Caring for textile collections

Open source ↗
Source
Museums Galleries Scotland

Conservation and lighting

Open source ↗
Source
Icon

Environmental management for collections and climate sustainability

Open source ↗

Sources checked 6 October 2026. Guidance and standards can change, so follow the linked publisher page before adopting a value into policy.

Keep exploring

Move from material sensitivity to the wider monitoring context.